Surreal Fashion Editorial Portrait Prompt

Use my uploaded portrait/selfie as the ONLY identity and facial reference. Preserve my recognizable facial identity and appearance naturally. Vertical studio fashion editorial with an absurdist set-up: a woman with the face from the reference photo sits sunk deep into a black leather recliner in a fog-lit studio, one leg stretched straight toward the camera and the other bent, counting a thick stack of banknotes with both hands at chest height, eyes down on the money, expression completely neutral — no smile, no gesture, that indifference being what makes the joke work. Around her, a ring of live brown hens walks across the studio floor, several cropped by the left and right frame edges so more are implied off-camera, and loose banknotes are scattered across the floor. Wardrobe (womenswear): a cropped boxy black-and-white colour-blocked faux-leather jacket with a spread shirt collar, black sleeves, yellow and side panels and white curved front panels, worn open with the zipper down; an oversized plain white t-shirt underneath showing at the hem; a fine silver chain necklace with a small cross pendant; extremely wide-leg washed charcoal-grey denim cargo trousers with large flap side pockets and a cream drawstring hanging at the waist; and white leather Air Force-style low-top sneakers; dark curly hair. Camera — the main device: a very wide lens, 16–20mm, with the body almost resting on the floor. The extended foot closest to the lens is grossly enlarged and distorted, filling the entire lower third of the frame, while the body compresses backward and the head sits relatively small at the top; that proximity-scale exaggeration is what creates the sense of dominance — the viewer is literally at her feet. A strong diagonal runs from the foreground sneaker up to the face. Lighting: a single large soft key from above and slightly in front — short shadows under the chin and beneath the recliner, gentle modelling on the arm, specular sheen along the faux-leather panels, and clear falloff toward the corners and the back of the set; no strong side fill, so the flanks of the chair and the outermost hens drop to dark values; a faint second source behind right putting a rim on her shoulder and on the feathers of the hens on that side. Atmosphere: fine haze in the air separating the subject from the background and letting the grey cyclorama gradient from mid grey down to near black in the upper corners — real light falloff through smoke, not a digital vignette. Focus: relatively deep depth of field despite the angle — both the foreground sneaker and the face legible, with slight softening on the hens at the back, consistent with a wide lens stopped down. Grade: cool and desaturated environment with a blue-green cast in the cyclorama shadows, the only warmth coming from the hens’ red-brown feathers and the skin tones; medium-high contrast, dense blacks, controlled highlights, fine grain. Palette: cool cyclorama greys filling the background echoed by the washed charcoal denim, black leather and black recliner as the central anchoring mass, the white jacket panels and white tee as the single bright block placed exactly at the center of the body, warm brown feathers distributed in a ring around it, and the muted green of the banknotes plus the white sneakers as scattered light values across the lower third.